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Them! is a 1954 black-and-white science fiction giant monster film starring James Whitmore, Edmund Gwenn, Joan Weldon, and James Arness. [3] Produced by David Weisbart, the film was directed by Gordon Douglas, based on an original story by George Worthing Yates that was developed into a screenplay by Ted Sherdeman, with adaptation by Russell Hughes.
Year colorized Distributor and color conversion company Babes in Arms: 1939: 1993: Turner Entertainment [45] [46] Babes in Toyland: 1934: 1991: American Film Technologies 2006: Legend Films (retitled March of the Wooden Soldiers) [47] Baby Take a Bow: 1934: 1995: 20th Century Fox [48] Baby the Rain Must Fall: 1965: 1992: Columbia Pictures ...
The Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures.
The Snow Creature was one of the first of several Yeti/Abominable Snowman-themed movies. It also bore some resemblance to King Kong in terms of plot, with act one in an exotic setting, and act two taking place in an urban setting. The use of the Los Angeles storm drain system as the film's climactic setting can also be seen in the 1954 film, Them.
The local sheriff, Bill Nash, takes Mathews and Joyce to the attack site, where they find giant suction cup imprints in the beach sand. (At this point, Matthews and Joyce have become romantically involved.) They request that Carter join them. Nash is attacked along the beach by the giant octopus; the two nearby scientists barely escape.
Target Earth is a 1954 independently made American black-and-white science fiction film, produced by Herman Cohen, directed by Sherman A. Rose, that stars Richard Denning, Kathleen Crowley, Virginia Grey, and Whit Bissell. The film was distributed by Allied Artists Pictures Corporation. It is based on the Paul W. Fairman novel Deadly City.
Corman said that the prosthetic mask used for the Wasp Woman was "rather primitive." He noted that this was the first movie he had financed and directed for The Filmgroup, his production and distribution company. [7] In 1962, [8] director Hill added 11 minutes to the film for its eventual television syndication release. [9]
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]