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Linear or point-projection perspective (from Latin perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. [ citation needed ] [ dubious – discuss ] Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by ...
In painting, photography, graphical perspective and descriptive geometry, a picture plane is an image plane located between the "eye point" (or oculus) and the object being viewed and is usually coextensive to the material surface of the work.
Discussing the benefits of composition in the art of photography and using combination printing, Robinson wrote, in Pictorial Effect in Photography, that the method of combination served to "produce an agreeable presentation of forms and tones, to tell the story which is to be elucidated, and to embody the spirit of what it is intended the ...
Nature photography tends to place a stronger emphasis on the aesthetic value of the photo than other photography genres, such as photojournalism and documentary photography. [1] "Nature photography" overlaps the fields of—and is sometimes considered an overarching category including -- "wildlife photography," "landscape photography," and ...
There are three properties of color: hue, brightness or chroma, and value. Hue is the name of a color (red, yellow, and blue, etc.). Brightness and chroma refer to the intensity and strength of the color. A high chroma color is more pure and less greyed than a low chroma color. The lightness or darkness to a color is the value.
Gilpin's Essay on Prints (1768) defined picturesque as "a term expressive of that peculiar kind of beauty, which is agreeable in a picture" (p. xii). A view: "A sight or prospect of some landscape or extended scene; an extent or area covered by the eye from one point" (OED). Wilderness: An uncultivated, uninhabited, and inhospitable region. [1]
Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.
[1] It can give the impression that an object is tall and strong while the viewer is childlike or powerless. [2] A worm's-eye view commonly uses three-point perspective, with one vanishing point on top, one on the left, and one on the right. [3] A tree from a worm's-eye view