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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Though it is difficult to define what can properly be called a 'Cubist sculpture', Picasso's 1909-10 Head bares the hallmarks of early Cubism in that the various surfaces constituting the face and hair are broken down into irregular fragments that meet at sharp angles, rendering practically unreadable the basic volume of the head beneath. These ...
Philadelphia Museum of Art. A.E. Gallitan Collection, 1952 A.E. Gallitan Collection, 1952 Three Musicians , also known as Musicians with Masks or Musicians in Masks , is a large oil painting created by Spanish artist Pablo Picasso .
With this canvas, Braque postulates and actualizes the main idea of analytical cubism: "under the analytical gaze of a cubist, an object is divided into many separate geometric elements, angles, faces, which are then arranged in a certain way on the plane of the canvas, forming semi-abstract ... compositions". [2]
Only after 1914 did Cubism come almost exclusively to be identified with a single-minded insistence on the isolation of the art-object in a special category with its own laws and its own experience to offer, a category considered above life. It is Cubism in this later period that has most to tell anyone concerned with the problems of Modernism ...
Girl with a Mandolin is a 1910 painting within the Cubist movement by Pablo Picasso in Paris. The artwork was one of Picasso’s early Analytic Cubist creations. [1] It is part of the collection of the Museum of Modern Art, in New York. [2] Artist and historian John Golding wrote in Cubism: A History and an Analysis, 1907-1914:
It is acknowledged as a masterpiece of analytical cubism It presents a string instrument, the mandora, and its subject is typical of the Cubist painters' interest in the depiction of musical instruments. Braque explained his own interest: "In the first place because I was surrounded by them, and secondly because their plasticity, their volumes ...
It can loosely be considered a portrait of a harlequin, but through the lens of Picasso's cubist style, in which "Picasso paints a figure from several angles at once, dividing it into rectangles and circles". The painting is considered an example of "synthetic cubism", a development from Picasso's earlier "geometric cubism".