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Overpass was initially developed for Red Hat by Delve Withrington in 2011 and had only two weights (regular and bold) with hinting for the TrueType format fonts performed by Jason Campbell. The 2015 update to version 3.0 was developed by Delve Withrington with assistance from Dave Bailey, Thomas Jockin, Alan Dague-Greene, and expert ...
Andika (/ æ n ˈ d iː k ə /, from the verb root for 'to write' in Swahili) is a sans-serif typeface developed by SIL International for the Latin, Greek and Cyrillic scripts. It is designed for literacy programs and beginning readers, but also has support for IPA transcription and a large number of diacritics. The font offers four family ...
The Greek Font Society (Greek: Εταιρεία Ελληνικών Τυπογραφικών Στοιχείων) is a non-profit organization in Greece, founded in 1992, devoted to improving the standard of Greek digital typography. It has issued four digital fonts, all with full polytonic support:
The Latin, Greek and Cyrillic characters are taken from the Source Sans Pro family, [5] and adjusted to fit in with Chinese, Japanese and Korean (CJK) text. For example, in the normal weight Latin and Latin-like characters are scaled to 115% of their original size, hence they appear larger than Source Sans Pro at the same point size.
Google Fonts (formerly known as Google Web Fonts) is a computer font and web font service owned by Google. This includes free and open source font families, an interactive web directory for browsing the library, and APIs for using the fonts via CSS [ 2 ] and Android . [ 3 ]
Aptos includes characters from Latin, Latin Extended, Greek, and Cyrillic scripts. The italics of Aptos have been individually redrawn, rather than mechanically slanted. The italic does not have cursive forms except Cyrillic scripts, where the letter shapes are oblique forms of the upright letters, as opposed to the true italic form of Calibri. [8]
Theano is a common name for some fonts I have designed from historic samples. Most of these fonts were initially intended as Greek-only faces, but finally I found it interesting to supplement them with stylistically compatible Latin letters, thus reproducing the general look of old classical text editions.
Jokerman is a decorative typeface created in 1995 by British designer Andrew K. Smith. [1] It employs dots, spirals and straight lines that can be either attached or placed near each letter or integrated into the character to create negative space.