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Woods’ first book, Teach Yourself to Play the Folk Harp, is perhaps the best-known tutor for lever harp, and has been the introduction to harp playing for thousands of musicians. She has since published more than 80 books and sheet music arrangements for the Celtic harp, encompassing a wide variety of musical styles from folk to classical to pop.
The trio of flute, viola and harp is a standard chamber music ensemble. It was first popularized by a work by Claude Debussy in 1915, namely the Sonata for Flute, Viola and Harp , L. 137. The earliest known composition for this trio is the Terzettino by Théodore Dubois (1905).
Sonata for flute and harp, Op. 56 (1996) Raymond Luedeke. The Moon in the Labyrinth for harp and string quartet (or string orch.) [19] The Lyre of Orpheus for harp and string quartet (or for harp duo) [20] Fairy Tales for harp and flute (also piccolo) Five Pieces for harp, flute, and cello [21] Aurora for flute and harp [22] Bohuslav Martinů
Variations, My days have been so wondrous free; My days have been so wondrous free is written by Francis Hopkinson, to a poem by Thomas Parnell. Caprice (1999) [133] fl gtr LCCN [134] WorldCat [135] (00:04:00) Flute and guitar mixed duet. Commissioned by Red Cedar Chamber Music. [136]
Gary Schocker (born October 18, 1959) is an American flutist, composer, and pianist who has performed with the New York Philharmonic (at age 15, in a nationally televised Young People's Concert), the Philadelphia Orchestra, the New Jersey Symphony, the Dallas Symphony, the West German Sinfonia, and I Solisti Italiani.
In 2020, Akron Symphony music director Christopher Wilkins began working with Louise Toppin of the African Diaspora Music Project to revive Perry's works. This led to the Akron Symphony performing several of her compositions, releasing recordings, organizing materials for her unpublished works, and working with the Summit County Probate Judge ...
Katherine Hoover (December 2, 1937 – September 21, 2018) was an American composer of Contemporary classical music and Chamber music, flutist, teacher of Musical composition and Music theory, poet, and later a conductor of her music.
[3] [6] [7] She studied with Carlos Salzedo at his music colony in Camden, Maine for two summers beginning in 1960, and it was Salzedo who prepared her to play in The International Harp Contest in Israel in 1962. The Philharmonic Hall commentary on the contest said that "Heidi was the one and only sensation of the entire affair."