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The hymn has been called the anthem of the nineteenth-century Mormon pioneers [1] and "the landmark Mormon anthem." [2] Clayton wrote the hymn "All is Well" on April 15, 1846, as his Mormon pioneer caravan rested at Locust Creek, Iowa, over 100 miles west of its origin city of Nauvoo, Illinois. Just prior to writing the lyrics, Clayton had ...
The second LDS hymnbook with music was John Tullidge's Latter Day Saints' Psalmody, published in 1857. This collection included music for LDS hymns such as "O My Father", "Praise to the Man" and "An Angel from on High", complete with piano accompaniment. Tullidge felt that many of the pairings of tune with hymns used in LDS meetings were poorly ...
In the 19th century, the Mormon Tabernacle Choir was created and began touring, while musicians began writing devotional and praise music with a Latter-Day Saint influence, paralleling the success of Christian Contemporary Music. Several organizations have existed and do exist to promote these artists, such as Deseret Book and the now-defunct ...
The poem was composed soon after Smith's death, and was later set to music and adopted as a hymn of the Church of Jesus Christ of Latter-day Saints (LDS Church). It was first published with no directly attached name in the church newspaper Times and Seasons in August 1844, approximately one month after Smith was killed. [ 1 ]
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Love is Spoken Here is a 2005 album by the Mormon Tabernacle Choir. The album contains "Songs of Heart and Home" and includes hymns, lullabies, and other assorted songs with orchestral accompaniment [1] directed by Mack Wilberg. The title song (a children's song) was written by Janice Kapp Perry. [2]
About half of the new hymn tunes that were composed for the Psalmody were written by members of the Church Music Committee, which included Evan Stephens, George Careless, Ebenezer Beesley, Joseph J. Daynes, and Thomas C. Griggs. These men were accomplished musicians, composers, and Mormon Tabernacle Choir conductors.
The music is an adapted version of Caroline Sheridan Norton's "The Officer's Funeral March". [1] George D. Pyper described "We Thank Thee, O God, for a Prophet" as "exclusively a Latter-day Saint hymn; a Mormon heartthrob; a song of the Restoration". [2]