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Maurice Ravel's Piano Concerto in G major, was composed between 1929 and 1931. The piano concerto is in three movements, with a total playing time of a little over 20 minutes. Ravel said that in this piece he was not aiming to be profound but to entertain, in the manner of Mozart and Saint-Saëns .
Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien .
Piano Concerto No. 1 in G major (1905) Piano Concerto No. 2 in E minor (1931) Piano Concerto No. 3 in F minor (1945) Piano Concerto No. 4 in B major (1955) Piano Concerto No. 5 (1960) Theodor Leschetizky. Piano Concerto in C minor, Op. 9; Lowell Liebermann. Piano Concerto No. 1, Op. 12 (1983) Piano Concerto No. 2, Op. 36 (1992)
Piano Concerto in G major may refer to: Piano Concerto No. 17 (Mozart) Piano Concerto No. 4 (Beethoven) Piano Concerto No. 2 (Tchaikovsky) Piano Concerto in G major (Ravel) Piano Concerto No. 2 (Bartók) Piano Concerto No. 5 (Prokofiev)
The Piano Concerto No. 17 in G major, K. 453, was written in 1784 by Wolfgang Amadeus Mozart. The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns in G (and C for Andante), and strings. Like most of Mozart's concertos, it is in three movements
Harpsichord Concerto BWV 1058 (J. S. Bach) Piano Concerto No. 4 (Mozart) Piano Concerto No. 17 (Mozart) Piano Concerto No. 4 (Beethoven) Piano Concerto No. 2 (Tchaikovsky) Piano Concerto in G (Ravel) Piano Concerto No. 2 (Bartók) Piano Concerto No. 5 (Prokofiev)
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
Prokofiev's last piano concerto dates from 1932, a year after he finished the fourth piano concerto, whose solo part is for left hand only. According to the composer, he was then inspired to write another for two hands, whose intended simplicity was reflected in the desire to call it, not a concerto, but rather 'Music for Piano and Orchestra.'