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In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
The notes of the central tetrachord of the system in ascending order are hypate, parhypate, lichanos (or hypermese), and mese. A second tetrachord is added above, after a disjunctive tone, and the corresponding names (together with the interval ratios of the standing tones) are: [6] mese (4:3) – nete (2:1) (standing) lichanos – paranete ...
Tetrachord Note order Step to next note (Number of steps) Note name starting from Buselik [1] Buselik pentachord Buselik tetrachord (starting from Buselik) 1 T (9) Buselik 2 B (4) Hicaz 3 T (9) Neva 4 T (9) Hüseynî - 5 - Mahur
Kürdî tetrachord: Buselik pentachord: Kürdî tetrachord: This is the makam that the pitch class set is named after. Buselik: Buselik pentachord: Kürdî tetrachord: This scale exists within Kürdî if the Higher Çeşni and Higher Extension are put on top of each other.
Tetrachord Note order Step to next note (Number of steps) Note name starting from Çârgâh [Note 1] Çârgâh pentachord Çârgâh tetrachord (starting from Çârgâh) 1 T (9) Çârgâh 2 T (9) Neva 3 B (4) Hüseynî 4 T (9) Acem - 5 - Gerdaniye
Tetrachord Note order Step to next note (Number of steps) Note name starting from Rast [1] Rast pentachord: Rast tetrachord: 1 T (9) Rast 2 K (8) Dügâh 3 S (5) Segâh 4 T (9) (Only for pentachord) Çârgâh - 5 - Neva
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The Phrygian progression creates a descending tetrachord bassline: -♭-♭ - . Phrygian half cadence : i-v6-iv6-V in c minor (bassline: c -b ♭ -a ♭ -g) Play ⓘ . In music theory , the descending tetrachord is a series of four notes from a scale , or tetrachord , arranged in order from highest to lowest, or descending order.