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Jean-François Millet (French pronunciation: [ʒɑ̃ fʁɑ̃swa milɛ]; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement .
[3] The Man with a Hoe was the last painting of Millet's so-called "radical" era, which began with The Sower (1850). [ 3 ] After the initial shock of the new, Man with a Hoe lived a quiet life until the 1880s when it re-emerged as a star of three major French exhibitions including the art show at the 1889 World's Fair in Paris.
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
His son, also named Jean François Millet (1666–1723), and also called Francisque, was born in Paris, and was made a member of the Academy of Painting in 1709. He consulted Watteau and other followers of the fête galante school when he wanted figures for his landscapes. The museum of Grenoble has a "Paysage" by him which is adorned with ...
Jean-François Marmontel (1723–1799), French historian and writer; Jean-François Martial (1891–1977), Belgian actor; Jean-François Mayer (born 1957), Swiss historian of religion; Jean-François Millet (1814–1875), French painter; Jean-François Ndongou (born 1960), Gabonese politician; Jean-François Papillon (died 1805), Haitian ...
Jean-François Millet was raised in the area of France known as the old province of Normandy. He was brought up with hard out-of-door labor. After studying to become a painter, he devoted his art to illustrating peasants farming the land. His subjects were often taken from his surroundings or from memories from his youth. [2]
Moving to Barbizon in 1849, Millet quickly became associated with the Barbizon School. Although he shared their enthusiasm for painting fresh, outdoors scenes, Millet also liked to depict the local farmers. He found the nobility of the peasants, with their lives grounded in the soil, a welcome change from the instability of modern life. [3]