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Much of Blondeau's work revolves around the misrepresentation of First Nations women in popular culture and media culture.She regularly works with positive and negative associations attached to the tropes of the Indian Princess and the Squaw, examining how post-colonial imagery impacts the reception of Aboriginal women in urban communities. [6]
Susan McEachern (born 1951), American-Canadian photographer, work often includes text; Sheila McKinnon, Canadian born photographer and journalist; Meryl McMaster (born 1988), photographer whose best known work explores her Indigenous heritage; Jean Gainfort Merrill (born 1913), photojournalist; Léna Mill-Reuillard (fl 2016), cinematographer ...
The Native Women's Association of Canada (NWAC; French: Association des femmes autochtones du Canada [AFAC]) is a national Indigenous organization representing the political voice of Indigenous women, girls, and gender-diverse people in Canada, inclusive of First Nations on and off reserve, status and non-status, disenfranchised, Métis, and Inuit.
Belmore was born on March 22, 1960, in Upsala, Ontario, Canada. [8] Until the age of 16, Belmore spent her summers in Northwestern Ontario with her grandparents. During these summers, her grandmother taught her about harvesting native foods from the land. [9]
This is partly due to organizations that focus attention on the achievements and welfare of Indigenous Canadians like, Congress of Aboriginal Peoples, Native Women's Association of Canada, Aboriginal Curatorial Collective, National Aboriginal Health Organization, Metis Child and Family Services Society and Aboriginal Peoples Television Network.
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