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Much of Blondeau's work revolves around the misrepresentation of First Nations women in popular culture and media culture.She regularly works with positive and negative associations attached to the tropes of the Indian Princess and the Squaw, examining how post-colonial imagery impacts the reception of Aboriginal women in urban communities. [6]
This is partly due to organizations that focus attention on the achievements and welfare of Indigenous Canadians like, Congress of Aboriginal Peoples, Native Women's Association of Canada, Aboriginal Curatorial Collective, National Aboriginal Health Organization, Metis Child and Family Services Society and Aboriginal Peoples Television Network.
The Native Women's Association of Canada (NWAC; French: Association des femmes autochtones du Canada [AFAC]) is a national Indigenous organization representing the political voice of Indigenous women, girls, and gender-diverse people in Canada, inclusive of First Nations on and off reserve, status and non-status, disenfranchised, Métis, and Inuit.
Susan McEachern (born 1951), American-Canadian photographer, work often includes text; Sheila McKinnon, Canadian born photographer and journalist; Meryl McMaster (born 1988), photographer whose best known work explores her Indigenous heritage; Jean Gainfort Merrill (born 1913), photojournalist; Léna Mill-Reuillard (fl 2016), cinematographer ...
Michelle LaVallee is a Canadian curator, artist, and educator.She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario.She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
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Allen was amongst the first Canadian Aboriginal women to be selected to compete in the Olympics, and in the 1972 Olympics in Sapporo, Japan, Allen competed in two cross-country skiing events. In the Women’s 5 kilometer , she placed 10th, and in the Women’s 3x5 kilometer relay , she placed 40th [ 6 ]