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A school newspaper published using a ditto machine in 1978 A hand-cranked spirit duplicator from the 1960s. The duplicator uses two-ply "spirit masters", also called "master sheets". The first sheet can be typed, drawn, or written upon. The second sheet is coated with a layer of wax that had been impregnated with one of a variety of colorants.
But for every additional copy, the average cost decreases. At 100 prints, the master cost per copy was only 0.4–0.8 cents per copy, and the cost of the paper printed upon will start to dominate. A master is capable of making 4000–5000 prints, and then a new master easily be made if needed for further copies.
The single-drum machine used a single drum for ink transfer to the stencil, and the dual-drum machine used two drums and silk-screens to transfer the ink to the stencils. The single drum (example Roneo) machine could be easily used for multi-color work by changing the drum – each of which contained ink of a different color.
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Minnesota Center for Book Arts (MCBA) is the largest and most comprehensive independent nonprofit book arts center in the United States. Located in Minneapolis, Minnesota, MCBA is a nationally recognized leader [1] in the celebration and preservation of traditional crafts, including hand papermaking, letterpress printing and hand bookbinding, as well as the use of these traditional techniques ...
The special aniline dyes for making the master image came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are sometimes still available. Various other inks have been found usable to varying degrees in the process; master sheets for spirit duplicators have also been pressed into ...
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.