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The story of a robber of the name of Kayavya, born of a Kshatriya father and a Nishada mother is mentioned at (12,134). In a remote region in the midst of the ocean, the Nishadas have their fair home (1,28). Nishada king is equated with an Asura tribe called Krodhavardhana (1,67) In Indian music, Nishada is the seventh note of the octave.
Veerasena was a king of the Nishadha kingdom, and the father of Nala. Nala, the son of Veerasena, became the king after his father.He was the husband of Damayanti, and their story is told in the Mahabharata.
Nishada (Sanskrit: निषाद, romanized: Niṣāda) is the seventh and last svara in Hindustani music and Carnatic music. [ 1 ] [ 2 ] Nishada is the long form of the syllable नी. [ 3 ] For simplicity in pronouncing while singing the syllable, Nishada is pronounced as Ni (notation - N).
Ekalavya (Sanskrit: एकलव्य, romanized: ekalavya, also spelt as Eklavya) is a character from the Hindu epic Mahābhārata. He is described as a young prince of the Nishadas, a confederation of forest and hill tribes in ancient India.
Guha (Sanskrit: गुह, romanized: Guha) was the king of Śṛṅgiverapura, the nation of the Nishadas, [1] in the Hindu epic Ramayana. Guha was Rama's first ally in latter's exile. [2] Guha is known for arranging the boat and helmsmen who ferried Rama, Lakshmana, and Sita across the river Ganga in the Ayodhya Kanda.
Naishadha Charita, also known as Naishadhiya Charita (Naiṣadhīya-carita), is a poem in Sanskrit on the life of Nala, the king of Nishadha.Written by Sriharsha, it is considered one of the five mahakavyas (great epic poems) in the canon of Sanskrit literature.
Nala (Sanskrit: नल) is a legendary king of ancient Nishadha kingdom and the central protagonist of the Nalopakhyana, a sub-narrative within the Indian epic Mahabharata, found in its third book, Vana Parva (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering.
Swara (Sanskrit: स्वर) or svara [1] is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or saptanka. More comprehensively, it is the ancient Indian concept of the complete dimension of musical pitch.