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Shakespeare's sonnets, poems, and texts at Poets.org; Shakespeare's Words the online version of the best-selling glossary and language companion; Shakespeare and Music; Shakespeare's Will from The National Archives; Works by William Shakespeare set to music: free scores in the Choral Public Domain Library (ChoralWiki) The Shakespeare Birthplace ...
Sonnet 141 is the informal name given to the 141st of William Shakespeare's 154 sonnets.The theme of the sonnet is the discrepancy between the poet's physical senses and wits (intellect) on the one hand and his heart on the other.
Although Robin Hackett makes a considerably in-depth argument that Shakespeare's Sonnet 7 may be read in context with Virginia Woolf's The Waves as the story of an imperialistic "sun hero", [4] the potential bending of Shakespeare's work this analysis threatens may be best illustrated by the substantial lack of any other criticism seeking the ...
Another scholarly analysis of Shakespeare's problem-plays by A.G. Harmon argues that what the problem-plays have in common is how each consciously debates the relationship between law and nature. Many of the problem-plays address a disorder in nature, and the characters attempt to mitigate the disorder in varying manners. [4]
Booth also notes the author's play on words in lines 3-4. By placing eternity at the end of line 3 and saying, "proves more short", Shakespeare is highlighting the lack of timelessness in such endeavors. [7] As aforementioned, this is a common theme of Shakespeare's sonnets and this quatrain of Sonnet 125 reiterates the motif of mortality.
Johnson's thoughts on biography and on poetry found their union in his understanding of what would make a good critic. His works were dominated with his intent to use them for literary criticism, including his Dictionary to which he wrote: "I lately published a Dictionary like those compiled by the academies of Italy and France, for the use of such as aspire to exactness of criticism, or ...
An initial reversal occurs in line 9. A mid-line reversal occurs in line 8 — "thus to" — "threefold", while typically stressed on the first syllable, does not constitute a reversal because it is a double-stressed word, and in context the stress can shift to the second syllable.
Shakespeare's poetic genius was allied with a practical sense of the theatre. [17] Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch and Holinshed. [18] He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible.