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The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest).
Congas santiagueras include the corneta china (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. [1]
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
The quinto (literally fifth in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures.
The tumba is the largest drum of the conga family, typically with a head about 12.5 inches in diameter. There is a super-tumba variant of the tumba that is even larger. [1] Of Cuban origin, the tumba is traditionally a stave drum constructed in the same manner as a barrel with long, thin strips of wood, but can also be made out of fiberglass. [3]
At the Tidbits show, Camero pioneered the playing of two conga drums simultaneously. In a traditional context in the Cuban rumba and conga line carnaval processional music, multiple drummers play a single conga. [1] Camero would be the first to develop the technique to play various parts that originally individual single players would play in a ...