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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
The Theaetetus is one of the few works of Plato that gives contextual clues on the timeline of its authorship: The dialogue is framed by a brief scene in which Euclid of Megara and his friend Terpsion witness a wounded Theataetus returning on his way home after from fighting in an Athenian battle at Corinth, from which he apparently died of his wounds.
Myth of the Cave is a suite in five movements for clarinet/bass clarinet, double bass and piano, composed by Yitzhak Yedid in Jerusalem, Israel, 2002, and premiered in Frankfurt, Germany, October 2002. The fundamental idea of the composition was inspired by Plato's philosophic metaphor The Allegory of the Cave:
Socrates, using the Simile of the Sun as a foundation, continues with the Analogy of the Divided Line (509d–513e) after which follows the Allegory of the Cave (514a–520a). In relation to the other metaphors, the intelligible method can help one to understand the Good, symbolized by the Sun.
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Porphyry leaves open whether the cave actually existed or was an invention by Homer, but in either case stresses its significance as an allegory. He associates the cave motif with Plato's allegory of the cave and the Mithraeum (the cave sacred to adherents of the Roman mystery religion centered on the god Mithras) and regards it as a symbol for ...
Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages , Renaissance literature exhibits an increased emphasis on courtly love , [ 1 ] sometimes abandoning intelligibility for deliberately unintelligible allegories.