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Marley is the subject of the novel Jacob Marley's Ghost by Michael Fridgen (2019), [40] Marley by Jon Clinch (2019) [41] and Jacob T. Marley by R. William Bennett (2011). [42] The song "Jacob Marley's Chain" appears on Aimee Mann's first solo album, Whatever (1993). [43] The American bluegrass band Marley's Ghost is named for the character. It ...
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Marley's ghost shows Scrooge his own grave. The only known surviving footage, about 3 minutes and 26 seconds in length, is preserved by the British Film Institute. [7] This footage starts with Bob Cratchit showing someone out of Scrooge's office on Christmas Eve, just before he and Scrooge leave for the night, and ends at a scene where Scrooge is shown his own grave.
Nottingham Playhouse by night Mark Gatiss adapted the drama and appeared in the original production as Jacob Marley, among other roles. The adaptation was directed by Adam Penford, designed by Paul Wills with a lighting design by Philip Gladwell, sound design by Ella Wahlström, video design by Nina Dunn, movement direction by Georgina Lamb and composition by Tingying Dong.
A gay successful piano bar owner Ebenezer "Ben" Scrooge (David Pevsner) despises Christmas and other people; he also mistreats and underpays his employees.One night, Scrooge encounters the ghost of Jacob Marley (Tim Kazurinsky)—who died ten years before the film—in chains, warning him that Scrooge would have the same fate in afterlife as Marley's and that the three Spirits will visit him.
Marley’s ghost is pretty creepy, and the three ghosts are on the whole nicely done, though the scenes involving Christmas Yet To Come don’t feel spooky enough at all. Richard E. Grant is fine as the hard-done-by clerk Bob Cratchit, but his children are especially irritating, with Tiny Tim vying for the coveted ‘most irritating and poorly ...
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A Christmas Carol is a 1910 silent drama film directed by J. Searle Dawley and produced at Edison Studios in The Bronx in New York City. After the 1901 British release Scrooge, or, Marley's Ghost, this American version of Charles Dickens' 1843 novella is the second oldest surviving screen adaptation of the famous literary work.