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Gibson's view of depiction concerns the re-presentation of these invariants. In the case of illusions or trompe l'oeil, the picture also conveys the stimulus energy, but generally the experience is of perceiving two sets of invariants, one for the picture surface, another for the object pictured.
It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style". Depicting deities in animal form (theriomorphism) is an example of zoomorphism in a religious context. [2]
Lying against another part of the plant; when applied to a cotyledon, it means that an edge of the cotyledon lies along the folded radicle in the seed. [8]-aceae Suffix added to the word stem of a generic name to form the name of a taxonomic family; [9] for example, Rosaceae is the rose family, of which the type genus is Rosa. [10] achene
Realism, or naturalism as a style depicting the unidealized version of the subject, can be used in depicting any type of subject without commitment to treating the typical or every day. Despite the general idealism of classical art, this too had classical precedents, which came in useful when defending such treatments in the Renaissance and Baroque
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
A work depicting an idealized vision of the rural life of shepherds. [11] pathos phrase A sequence of two or more words forming a unit. In the poem “Kubla Khan” by Samuel Taylor Coleridge, the words “pleasure-dome” are a phrase read not only in this poem, but also in Mary Shelley’s Frankenstein when she uses also uses the phrase. [15]
The ouroboros or uroboros (/ ˌ j ʊər ə ˈ b ɒr ə s /; [2] / ˌ ʊər ə ˈ b ɒr ə s / [3]) is an ancient symbol depicting a snake or dragon [4] eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism and Hermeticism and most ...
Russian icon of the Holy Trinity The icon of St Nicolas carved in stone (between c. 12 and 15th centuries), at the Radomysl Castle, in Ukraine [2] Luke painting the Theotokos of Vladimir (16th century, Pskov) A rare ceramic icon depicting Saint Arethas (Byzantine, 10th century) Image of the Saviour Not Made by Hand: a traditional Orthodox ...