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Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]
A turntable for the Central Railroad of New Jersey. Turnplates at the Park Lane goods station of the Liverpool and Manchester Railway in 1831. Early wagonways were industrial railways for transporting goods—initially bulky and heavy items, particularly mined stone, ores and coal—from one point to another, most often to a dockside to be loaded onto ships. [4]
The center of a wheel surrounding the axle on which it is mounted. British, boss. Wheel hub liner A brass or bronze disk secured to the inside hub of a wheel to form a wearing surface between the hub and the outside face of the box. Such liners are used on engine truck wheels, driving and trailing wheels. Wheel key
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In 1972, form liner manufacturers created a fluted form liner with graphic inlays of shrimp boats, a famous crawfish wrapped around an oil bearing, tug boats and race boats. This sound/retaining wall, located in Morgan City, LA , was to be the first use ever of graphic inlays in form liner.
Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is ...