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According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]
Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak Basilan Yakan From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes.
Italy – Italian folk dance costumes; South Tyrol – Tracht and Dirndl; Sardinia – Every town has its design of the traditional folk costume (see also Sardinian people for more information). Sicily – Coppola, Arbereshe costumes; Kosovo – Traditional clothing of Kosovo, Qeleshe, Tirq, Xhubleta, Xhamadan, Opinga; Malta – Għonnella
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
The dancers dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. Maglalatik can be seen as a mock battle between the dancing boys. [3] The dance is intended to impress the viewers with the great skill of the dancers.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.