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Karama Mursal was a Yemeni singer born in Al-Mukalla, [1] the capital of Hadhramaut Governorate, located in southeastern Yemen.He began his artistic career in the 1960s, precisely in 1963, at the age of seventeen, singing the works of many Hadhrami poets, notably the Hadhrami poet Hussein Abu Bakr Al-Mihdhar, who played a significant role in the success of his songs.
The Murusade, (Somali: Murursade, Mursal; Arabic: مرسذه ,مرسل) also contemporarily known as Mursal, are a Somali sub-clan, part of the Karanle branch of the larger Hawiye clan. They primarily reside in the central regions of Somalia , particularly in the Galgaduud , [ 1 ] [ 2 ] Lower Shabelle , [ 3 ] Middle Shabelle [ 4 ] and Banaadir ...
Karama Mursal is within the scope of the WikiProject Regional and national music, an attempt at building a resource on the music of all the peoples and places of the world. Please visit the project's listing to see the article's assessment and to help us improve the article as we push to 1.0 .
Saber Bamatraf's story and his artistic collaboration with his wife Shatha Altowai gained wider attention in the Yemeni local context, [16] and were featured in a short documentary titled Voice of the Rainbow (Arabic: صوت قزح), [14] which was selected to be screened at the Karama Human Rights Film Festival that was supposed to take place ...
Maryam Mursal (b. 1950) – musician, composer and vocalist whose work has been produced by the record label Real World; Marian Joan Elliott Said (Poly Styrene) (1957–2011) – pioneering Somali-British punk rock singer with X-Ray Spex; Jiim Sheikh Muumin – singer and instrumentalist; Jonis Bashir – Somali-Italian actor and singer
Sana'a al-Haneen, performed by Hussain Moheb. Sanaa has a rich musical tradition and is particularly renowned for the musical style called al-Ghina al-San'ani (Arabic: الغناء الصنعاني al-ġināʾ aṣ-Ṣanʿānī), or "the song of Sanaa", which dates back to the 14th century and was designated as a UNESCO Intangible Cultural Heritage on November 7, 2003. [3]
Then, the branch is raised in the middle of the dancing arena. After reciting the legend - the story behind the worshiping of Karam (Nature/God/Goddess) - all the men and women drink liquor and spend the entire night singing and dancing; both are essential parts of the festival, Which is known as Karam Naach .
[13] Rolling Stone concluded that "Mursal refuses to remain a prisoner of her native styles, embracing the frank beats and feral musical constructions of European, Middle Eastern and African nightclubs." [20] The Irish Times deemed the album "a healthy hybrid that is fuelled by Mursal's passionate vocals—and impressive playing by a host of ...