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Audience superior position is a term in literary theory to describe when the audience of a narrative work knows more than one or more characters in the narrative work. [1] An example in film might be when the audience knows the killer is hiding in the closet while the protagonist does not.
An unseen character in theatre, comics, film, or television, or silent character in radio or literature, is a character that is mentioned but not directly known to the audience, but who advances the action of the plot in a significant way, and whose absence enhances their effect on the plot. [1]
The audience and protagonist generally learn information at the same time. The protagonist follows the Hero's Journey. The central pay-off for the audience is the protagonist battling an antagonist character. In the end, our hero is victorious and is rewarded. These five elements take an audience through a film in a familiar way.
Audience theory offers explanations of how people encounter media, how they use it, and how it affects them. Although the concept of an audience predates modern media, [1] most audience theory is concerned with people’s relationship to various forms of media. There is no single theory of audience, but a range of explanatory frameworks.
Similarly, if the characters are eating cookie dough in a scene, Johnson and his team create dough without raw eggs so the actors and actresses don't get sick while filming many takes.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
The praise for Rapp’s performance didn’t stop there. Sharing a gif of Rapp singing “Someone Gets Hurt,” someone wrote, “this entire scene was everything!”. Another wrote, “The new # ...
The reveal (also known as the big reveal) is a plot device in narrative structure and is the exposure to the reader or audience of a previously unseen key character, or element of plot or performance. A reveal is different from Aristotle's anagnorisis, in which something is revealed to a character rather than to the audience.