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The palette used by Holbein in the Grey Passion is unparalleled throughout European altar painting - the monochrome grey perhaps symbolises a theme detached from this world. Hans Holbein the Elder followed the example of Jan van Eyck and Hans Memling and their circle, who had experimented with painting in grisaille. [3] [4] [5]
Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
Though he was a German-born artist who spent much of his time in England, Holbein here displays the influence of Early Netherlandish painting.He used oils which for panel paintings had been developed a century before in Early Netherlandish painting, and just as Jan van Eyck and the Master of Flémalle used extensive imagery to link their subjects to religious concepts, Holbein used symbolic ...
A note in Holbein's hand adds that Southwell's eyes were "a little yellowish". [173] Edward Stanley [175] c. 1532 – c. 1543: Black and coloured chalks, pen and ink, and brush and ink on pale pink prepared paper. 28.1 × 19.7 cm: The sitter is Edward Stanley, 3rd Earl of Derby, cup-bearer to Anne Boleyn. [175] [176] Thomas Lestrange [177] c. 1536
There is an old copy of this portrait in the Galleria Regionale della Sicilia in Palermo. [9]Elements of the Vienna portrait have been copied by other artists. Portrait of an Unknown Man in the John G. Johnson Collection at the Philadelphia Museum of Art, is a pastiche: the copyist has attached the head of the portrait of Duke Antony the Good of Lorraine to the body of the Portrait of a Young ...
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