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Albert David (30 November 1896 – 14 December 1970) was a French sculptor. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics . [ 1 ]
Eaves must be designed for local wind speeds as the overhang can significantly increase the wind loading on the roof. [7] The line on the ground under the outer edge of the eaves is the eavesdrip, or dripline, and in typical building planning regulations defines the extent of the building and cannot oversail the property boundary.
Overhangs on two sides of Pennsylvania Dutch barns protect doors, windows, and other lower-level structures. Overhangs on all four sides of barns and larger, older farmhouses are common in Swiss architecture. An overhanging eave is the edge of a roof, protruding outwards from the side of the building, generally to provide weather protection.
Rear overhang may present a problem in large vehicles such as buses. Long rear overhang would require the driver to pay attention to nearby vehicles when turning at 90 degrees. Since the rear overhang is outside the wheelbase, it may hit a vehicle in the adjacent lane, especially when turning 90 degrees right (in a right-hand drive country).
Albert Leroy David (July 18, 1902 – September 17, 1945) was an officer in the United States Navy during World War II and a recipient of two Navy Crosses as well as the Medal of Honor. He was awarded the Medal of Honor for his role in helping to capture the German submarine U-505 , off the coast of French West Africa in June 1944.
An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
An example of mutesaki tokyō using six brackets. Tokyō (斗栱・斗拱, more often 斗きょう) [note 1] (also called kumimono (組物) or masugumi (斗組)) is a system of supporting blocks (斗 or 大斗, masu or daito, lit. block or big block) and brackets (肘木, hijiki, lit. elbow wood) supporting the eaves of a Japanese building, usually part of a Buddhist temple or Shinto shrine. [1]
A Scandinavian steelyard is a variant which consists of a bar with a fixed weight attached to one end, a movable pivot point, and an attachment point for the object to be weighed at the other end. Once the object to be weighed is attached to its end of the bar, the pivot point, which is frequently a loop at the end of a cord or chain, is moved ...