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From the late 17th to the early 20th century Western aesthetics underwent a slow revolution into what is often called modernism. German and British thinkers emphasized beauty as the key component of art and of the aesthetic experience, and saw art as necessarily aiming at absolute beauty.
The machine aesthetic label was born in the beginning of the 20th century, when the newly created machines embodied the purity of the function. Architects were fascinated by the possibilities of the clean geometric forms and smooth surfaces [6] enabled by the new construction techniques.
WU Vienna, Library & Learning Center by Zaha Hadid. Neo-futurism is a late-20th to early-21st-century movement in the arts, design, and architecture. [2] [3]Described as an avant-garde movement, [4] as well as a futuristic rethinking of the thought behind aesthetics and functionality of design in growing cities, the movement has its origins in the mid-20th-century structural expressionist work ...
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.
Victorian design is widely viewed as having indulged in a grand excess of ornament. ... the aesthetic movement, ... This was popular into the 20th century.
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
American modernism is an artistic and cultural movement in the United States beginning at the turn of the 20th century, with a core period between World War I and World War II. Like its European counterpart, American modernism stemmed from a rejection of Enlightenment thinking, seeking to better represent reality in a new, more industrialized ...
Luigi Russolo (1885–1947) wrote The Art of Noises (1913), [27] [28] an influential text in 20th-century musical aesthetics. Russolo used instruments he called intonarumori , which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises.