Search results
Results From The WOW.Com Content Network
The term "Renaissance man" was first recorded in written English in the early 20th century. [10] It is used to refer to great thinkers living before, during, or after the Renaissance. Leonardo da Vinci has often been described as the archetype of the Renaissance man, a man of "unquenchable curiosity" and "feverishly inventive imagination". [11]
Renaissance Man may refer to: Polymath, a person in the archetype of the High Renaissance of broad talents and expertise; Renaissance Man, a 1994 comedy-drama film "Renaissance Man" (Star Trek: Voyager), the penultimate episode of the TV series Star Trek: Voyager; Renaissance Man, a 2011 album by Jaimoe's Jasssz Band
Leon Battista Alberti (Italian: [leˈom batˈtista alˈbɛrti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
Although he had no formal academic training, [156] many historians and scholars regard Leonardo as the prime exemplar of the "Universal Genius" or "Renaissance Man", an individual of "unquenchable curiosity" and "feverishly inventive imagination." [157] He is widely considered one of the most diversely talented individuals ever to have lived. [158]
The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius , the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed ...
Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. [3] Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century.
Burckhardt understood Renaissance as drawing together art, philosophy and politics, and made the case that it created "modern man". [7] Burckhardt developed an ambivalent interpretation of modernity and the effects of the Renaissance, praising the movement as introducing new forms of cultural and religious freedom but also worrying about the ...
Giovanni Pico dei conti della Mirandola e della Concordia (/ ˈ p iː k oʊ ˌ d ɛ l ə m ɪ ˈ r æ n d ə l ə,-ˈ r ɑː n-/ PEE-koh DEL-ə mirr-A(H)N-də-lə; [1] [2] Italian: [dʒoˈvanni ˈpiːko della miˈrandola]; Latin: Johannes Picus de Mirandula; 24 February 1463 – 17 November 1494), known as Pico della Mirandola, was an Italian Renaissance nobleman and philosopher. [3]