Search results
Results From The WOW.Com Content Network
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
The sentence "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents", in Zalgo textZalgo text is generated by excessively adding various diacritical marks in the form of Unicode combining characters to the letters in a string of digital text. [4]
Ad Lib is a decorative typeface that was designed in 1961 by Freeman Craw for American Type Founders.It was extremely popular from the early- to mid-1960s, and is often used today to evoke that era.
Bookman, or Bookman Old Style, is a serif typeface.A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text.
Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.
By contrast, a bold font weight makes letters of a text thicker than the surrounding text. [2] Bold strongly stands out from regular text, and is often used to highlight keywords important to the text's content. For example, printed dictionaries often use boldface for their keywords, and the names of entries can conventionally be marked in bold ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The gloomy, ultra-bold sans-serifs of the Figgins foundry. [23] Gill and Johnston sought to create sans-serif designs that were modern and not as bold as these. Gill argued in his Essay on Typography that such closed-up forms were counterproductively bold, less legible than lighter fonts of normal proportions. [24]