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Following that, there is a list of people who are often wrongly believed to have had synesthesia because they used it as a device in their art, poetry or music (referred to as pseudo-synesthetes). Estimates of prevalence of synesthesia have ranged widely, from 1 in 4 to 1 in 25,000 – 100,000.
People with synesthesia related to music may also have perfect pitch because their ability to see and hear colors aids them in identifying notes or keys. [ 19 ] The colors triggered by certain sounds, and any other synesthetic visual experiences, are referred to as photisms .
Many people with synesthesia have more than one of the types noted above. ... Synesthesia is not uncommon; it's estimated that about one of every 25 people (4%) have some form of it. Since to them ...
The exact number of cases dealing with synesthesia is difficult to calculate because many people may not even be aware they have it, or what synesthesia really is. Synesthesia is also linked to have higher rates within the ASD ( autism spectrum disorder ) community. 18.9% of autistic individuals reported experiencing symptoms related to ...
[5] [9] Lexical–gustatory synesthesia and other forms of synesthesia are familial, meaning that they are passed on through a family [1] [2] [4] [5] [8] As many as 40% of synesthetes have an immediate family member with synesthesia. [9] For example, PS’s mother also had lexical gustatory synesthesia. [8]
"Every song is totally different," Kraning tells PEOPLE. "They have unique colors, textures, and movements. ... "So I suspect there may be some musicians actually that also have synesthesia or a ...
Chromesthesia or sound-to-color synesthesia is a type of synesthesia in which sound involuntarily evokes an experience of color, shape, and movement. [ 1 ] [ 2 ] Individuals with sound-color synesthesia are consciously aware of their synesthetic color associations/ perceptions in daily life. [ 3 ]
Whether this is an actually synesthesia, or simply reflects metaphorical speech, is debated. [5] [6] A similar example appears in Leibniz's New Essays on Human Understanding (written in 1704, but not published until 1764); indeed given that the New Essays is intended as a rebuttal to Locke, it may even have been the same individual.