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allegro Cheerful or brisk; but commonly interpreted as lively, fast all'ottava "at the octave", see ottava alt (Eng.), alt dom, or altered dominant A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th
In popular music genres such as disco, house music and electronic dance music, beatmatching is a technique that DJs use that involves speeding up or slowing down a record (or CDJ player, a speed-adjustable CD player for DJ use) to match the tempo of a previous or subsequent track, so both can be seamlessly mixed.
Italian term Literal translation Definition Banda: band: Small music ensemble used as a supplement to the orchestra in an opera Comprimario: with the first: Supporting role Concertino: little concert: Smaller, more virtuosic group of musicians in a concerto grosso: Convenienze: conveniences
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
In the opening movement, the initial theme of the Allegro vivace is based on the corresponding first theme of Ludwig van Beethoven's overture to The Creatures of Prometheus. [2] The second movement is a theme with five variations in E ♭ major, Schubert's only set of symphonic variations. Although there is some variation in the melody, the ...
There are also a number of references to works from the Western canon of music, notably the first movement of Beethoven's fifth symphony (some rather subdued compared with the original) and a rescoring of part of Brahms's first symphony, as well as a passage (in the first and last movements) from the F minor three-part invention of Johann ...
Allegro vivace, 4 4; Andante di molto (più tosto Allegretto), 2 4 in F major; Allegro vivace, 6 8; The symphony features the fanfares and flourishes typical of the "festive symphony" or "trumpet symphony", which is characteristic of Austrian symphonic writing in C major.
Finale: Allegro vivace With the exception of the finale, which is in modified sonata form , each movement follows a rough ABA form . It is believed that Dvořák took up this small orchestral genre because it was less demanding than the symphony, but allowed for the provision of pleasure and entertainment.