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Jungfrau, 1870, Watercolor, Gouache, and graphite on pale blue wove paper. Splendid Mountain Watercolours or Splendid Mountain Sketchbook is a collection of sketches and watercolors by John Singer Sargent (1856–1925), executed when he was fourteen years old, and on a summer excursion to Switzerland's Bernese Alps in the Berner Oberland in 1870.
A ruined castle stands on a high rocky hill to the right. In the left foreground a stream, on whose rocky banks grow firs, forms a waterfall and flows along the foot of the hill. A great fir stands on a bank ; some felled trees lie near. To the right are two houses amid trees at the foot of the castle-hill. In the left distance is a mountain.
A sketch (ultimately from Greek σχέδιος – schedios, "done extempore" [1] [2] [3]) is a rapidly executed freehand drawing that is not usually intended as a finished work. [4] A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a ...
A Storm in the Rocky Mountains, Mt. Rosalie is an 1866 landscape oil painting by German-American painter Albert Bierstadt (1830–1902) which was inspired by sketches created on an 1863 expedition. Bierstadt traveled to the Colorado Rocky Mountains where he was taken up to the Chicago Lakes beneath Mount Blue Sky .
[3] [4] A warm-colored foreground gives way to a less warm background with bluish highlands seen from a distance. Several people are traveling up and down a winding path dug into a cliff, on top of which there sits a castle. In the foreground, there moves a group of travelers with two donkeys.
In this instance, the suggested influence of castles on the artwork comes from castles in the Carpathian Mountains. [5] Another explanation is that the style originated with a dog-rose design painted by one boatman (or his family) and grew from there; alternatively, it has been noted that the garland of roses design bears resemblance to ...
Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W23 ...
Image Details Infernal Landscape. Type: Pen and brown ink Size: 25.9 x 19.7 cm Location: Private Collection Infernal Landscape previously thought to have been made by an assistant in the workshop of medieval Dutch artist Hieronymus Bosch has been authenticated as a piece by the master himself by the Bosch Research and Conservation Project (BRCP).