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Papers, Please is a puzzle simulation video game created by indie game developer Lucas Pope, developed and published through his production company, 3909 LLC. The game was released on August 8, 2013, for Microsoft Windows and OS X , for Linux on February 12, 2014, and for iOS on December 12, 2014.
For Pope and his wife, Papers, Please was financially successful; [1] the game had sold about 1.8 million copies by August 2016, [6] and through 2018, still sold enough that Pope was not worried about his financial security as he was developing his next game, Return of the Obra Dinn. [3]
The Republia Times is a free-to-play indie browser video game created by Lucas Pope, released in April 2012.In the game, the player takes the role of the editor of a newspaper torn between personal opposition to the government and threats to the lives of the editor's wife and children if the editor does not generate loyalty among the population.
Level Up - A story about gamers and the games they play: Justin Switzer: 2011: Exploration of video gaming culture. [329] 100 Yen: The Japanese Arcade Experience: Brad Crawford: 2012: Historical documentary about the evolution of Japanese arcades and the culture surrounding it. [330] Minecraft: The Story of Mojang: Paul Owens
Mahesh Babu Munjala, a native of India who works with data and AI at a biopharmaceutical company in Florida, felt lucky to win the highly-coveted H-1B visa lottery in 2017.
The reference for the first is a list of "17 Easter Eggs", while the second reference doesn't even mention Papers, Please, nor the specific trivia detail. Even if these are third party sources, they don't pass the bar for multiple sources demonstrating significance of the reference, as neither play significant roles in their works.
German Ordnungspolizei officers examining a man's papers in Nazi-occupied Poland, 1941 "Your papers, please" (or "Papers, please") is an expression or trope associated with police state functionaries demanding identification from citizens during random stops or at checkpoints. [1] It is a cultural metaphor for life in a police state. [2] [3]
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