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The "Salve Regina" (/ ˌ s æ l v eɪ r ə ˈ dʒ iː n ə / SAL-vay rə-JEE-nə, Ecclesiastical Latin: [ˈsalve reˈdʒina]; meaning "Hail Queen"), also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church.
Dio vi salvi Regina (Italian for "God save you Queen") is a Corsican folk song. It is considered the de facto " national anthem " of Corsica. It is customarily sung it at the end of concerts of Corsican folk music.
"Alma Redemptoris Mater" (Ecclesiastical Latin: [ˈalma redempˈtoris ˈmater]; "Loving Mother of our Redeemer") is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline (the other three being Ave Regina Caelorum, Regina Caeli and Salve Regina).
Gegrüßet seist du, Königin" (also known as Salve Regina coelitum or Hail, Holy Queen enthroned above) is a Catholic hymn, based on a hymn to Mary in Latin, Salve Regina. Singers call Mary, the mother of Jesus , with many attributes and request her help in the misery of the world.
Salve Regina (Hail Holy Queen, literally: Hail, Queen) is a Marian anthem, a setting by Arvo Pärt of the Latin hymn "Salve Regina" for mixed choir and organ in 2001. It was first performed in Essen Cathedral on 22 May 2002. It was published by Universal Edition in 2002. Pärt arranged the composition for choir, celesta and string orchestra in ...
Salve Regina (HWV 241) is an antiphon composed by George Friederic Handel around 1707. It is most likely that the work was first performed for Trinity Sunday in Vignanello on 19 July 1707 [ 1 ] in the Church of Santa Maria in Montesanto , under the patronage of the Colonna family .
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Examples of Salve songs include: Salve regina, mater misericordiae Salve prodis Davidis Salve Mater Misericordiae. Gaude (Rejoice) hymns include: Gaude Maria templum summae majestatis Gaude mater luminis Gaude, plaude, clara Rosa. Vale (farewell) and Mater dolorosa (mother of sorrows) are also subjects of numerous Marian hymns. [16]