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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
Wabi-sabi can be described as "the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West."
It is said that these ceremonies are profound wabi-sabi events. Wabi-sabi is also related to activities such as architecture, fashion, and philosophy. All of these portions of wabi-sabi all share belief in the same theme: all imperfections such as incomplete work holds undeniable beauty. However, not everyone, of course, favors the idea behind ...
Many Japanese cultural characteristics, in particular the influence of Zen Buddhism and the expression of wabi-sabi, [60] inform the bonsai tradition in Japan. Established art forms that share some aesthetic principles with bonsai include penjing and saikei. A number of other cultures around the globe have adopted the Japanese aesthetic ...
The present appearance of the structure is understood to be the same as when Yoshimasa himself last saw it. This "unfinished" appearance illustrates one of the aspects of "wabi-sabi" quality. [4] Like Kinkaku-ji, Ginkaku-ji was originally built to serve as a place of rest and solitude for the Shōgun.
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