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Traditional grip (also known as orthodox grip or conventional grip, fundamental grip and, to a lesser extent, the jazz grip) is a technique used to hold drum sticks while playing percussion instruments. Unlike matched grip, each hand holds the stick differently. Commonly, the right hand uses an overhand grip and the left hand uses an underhand ...
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
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Traditional grip, in which right and left hands use different grips. Matched grip, in which the two hand grips are mirror-image. Traditional grip was developed to conveniently play a snare drum while riding a horse, and was documented by Sanford A. Moeller in The Art of Snare Drumming (1925). It was the standard grip for kit drummers in the ...
Snare drum stands have three arms as a "basket" to cradle the lower rim of the drum. There are several patterns. The older, traditional pattern has two arms that pivot, and one that slides to accommodate varying sizes of drum. This is satisfactory for a tilted drum; The drum is tilted away from the sliding arm and rests on the two pivoting arms.
The Casey Claw is a rudimental snare drum technique that is used as an impressive visual effect for a very short phrase of music. It was created by Mark Casey in 1990 while attending the University of Kentucky.
The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).