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  2. Harmonic minor scale - Wikipedia

    en.wikipedia.org/wiki/Harmonic_minor_scale

    The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Aeolian mode or natural minor scale: ... Harmonic minor scale: Harmonic minor scale on C. ... A free Android app with scales & building chords for the scales;

  4. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...

  5. Phrygian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Phrygian_dominant_scale

    Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).

  6. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B ø 7 in C major) and is thus a leading-tone seventh chord in the major mode. [3] Similarly, the chord also occurs on the second degree of any natural minor scale (e.g., D ø 7 in C minor). It has been described ...

  7. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    The A harmonic minor scale can be used on the chords of a piece in A minor, especially on the minor ii–V–i chord progression. One of the most common uses of the harmonic minor scale is its fifth mode (phrygian dominant scale), which is a frequently used over dominant chords.

  8. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B. Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively.

  9. Jazz harmony - Wikipedia

    en.wikipedia.org/wiki/Jazz_harmony

    Dominant seventh chord on C: C 7 Play ⓘ.. Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction.