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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The following list enumerates a selection of Marian, Josephian, and Christological images venerated in the Roman Catholic Church, authorised by a Pope who has officially granted a papal bull of Pontifical coronation to be carried out either by the Pontiff, his papal legate or a papal nuncio.
The tradition of honoring Mary by venerating images of her goes back to 3rd-century Christianity. [157] Following the period of iconoclasm, the position of the church with respect to the veneration of images was formalized at the Second Council of Nicaea in 787. A summary of the doctrine is included in the current Catechism of the Catholic Church.
They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. The "Adoring Madonna" is a type popular during the Renaissance. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child.
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
Salus Populi Romani (English: Salvific Health of the Roman People) is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome.This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.
Mary Help of Christians: 17 May 1903: Basilica of Our Lady Help of Christians, Turin: Pope Leo XIII [z] Madonna dell'Udienza: 17 May 1903 Sambuca di Sicilia: Pope Leo XIII Madonna Addolorata 17 August 1903 Bergamo: Pope Leo XIII Madonna di Pettoruto 6 September 1903 San Sosti: Pope Leo XIII Maria Bambina [119] 31 May 1904 Milan: Pope Pius X ...
Here the Virgin Mary is unequivocally depicted as an empress. [2] [3] [4] As one of the earliest Roman Catholic Marian churches, this church was used by Pope John VII in the early 8th century as the see of the bishop of Rome. Also in the 8th century, the Second Council of Nicaea decreed that such pictures of Mary should be venerated. [5]