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"Mi" stood for modern ti or si, "fa" for modern do or ut, "sol" for modern re, and "la" for modern mi. Then, fa, sol and la would be repeated to also stand for their modern counterparts, resulting in the scale being "fa, sol, la, fa, sol, la, mi, fa". The use of "fa", "sol" and "la" for two positions in the scale is a leftover from the ...
The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). The system for other Western countries is similar, though si is often used as the final syllable rather than ti.
The first note of a major key always has the triangular Fa note, followed (ascending) by Sol, La, etc. The first note of a minor key is always La, followed by Mi, Fa, etc. The first three notes of any major scale – fa, sol, la – are each a tone apart. The fourth to sixth notes are also a tone apart and are also fa, sol, la.
"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
Also commonly used is the (movable do) solfège naming convention in which each scale degree is denoted by a syllable. In the major scale, the solfège syllables are: do, re, mi, fa, so (or sol), la, ti (or si), do (or ut).
Fixed do uses the syllables re–mi–fa–sol–la–ti specifically for the C major scale, while movable do labels notes of any major scale with that same order of syllables. Alternatively, particularly in English- and some Dutch-speaking regions, pitch classes are typically represented by the first seven letters of the Latin alphabet (A, B ...
The syllables ut-re-mi-fa-sol-la (do-re-mi-fa-sol-la) are taken from the six half-lines of the first stanza of the hymn Ut queant laxis, the notes of which are successively raised by one step, and the text of which is attributed to the Italian monk and scholar Paulus Deacon (although the musical line either shares a common ancestor with the ...
In many languages (such as those in the Romance and Slavic families), notes are named by solmization syllables (do, re, mi,...) instead of letters. Tonic sol-fa is a type of notation using the initial letters of solfege. Alpha is a chromatic extension of the letter notation proposed by the French musician Raphaël André. [3]