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A minisaga, mini saga or mini-saga is a short story based on a long story. It should contain exactly 50 words, plus a title of up to 15 characters. However, the title requirement is not always enforced and sometimes eliminated altogether. Minisagas are alternately known as microstories, ultra-shorts stories, or fifty-word stories.
A scoring rubric typically includes dimensions or "criteria" on which performance is rated, definitions and examples illustrating measured attributes, and a rating scale for each dimension. Joan Herman, Aschbacher, and Winters identify these elements in scoring rubrics: [3] Traits or dimensions serving as the basis for judging the student response
A short story cycle (sometimes referred to as a story sequence or composite novel) [1] is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts. [2]
Germany soon followed the United Kingdom's example by producing short stories; the first collection of short stories was by Heinrich von Kleist in 1810 and 1811. In the United States, Washington Irving was responsible for creating some of the first short stories of American origin, "The Legend of Sleepy Hollow" and "Rip Van Winkle". [19]
Both fictional and non-fictional works fall into this category, including such forms as novels, biographies, short stories, and poems. In the academic setting, creative writing is typically separated into fiction and poetry classes, with a focus on writing in an original style, as opposed to imitating pre-existing genres such as crime or horror.
Rubrication and illumination in the Malmesbury Bible from 1407 Detail from a rare Blackletter Bible (1497) printed and rubricated in Strasbourg by Johann Grüninger. Rubrication is the addition of text in red ink to a manuscript for emphasis.
Example 1: A travel article might describe vivid scenes from a market, transitioning into discussions about cultural significance and then focusing on individual stories. Example 2: In a documentary review, the organic structure could use visual storytelling techniques to analyze the film's narrative style, cinematography, and thematic elements.
In written narrative such as fiction, sections are not usually numbered or named. Section breaks are used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. As a fiction-writing mode, the section break can be considered a transition, similar to a chapter break.