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"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...
Rick Hall, producer of the original Jimmy Hughes version of "Steal Away", would subsequently helm four remakes of the song, three of them at his FAME Studios, beginning with Etta James' version included on for her 1968 album release Tell Mama - and serving as B-side of her 1969 single "Almost Persuaded" - , the second instance being the remake ...
Early in 1964, he returned to Hall with a powerful ballad he had written, "Steal Away", partly based on the gospel song "Steal Away to Jesus", and recorded the song in one take, [2] backed by the studio rhythm section of guitarist Terry Thompson, keyboardist David Briggs, bassist Norbert Putnam and drummer Jerry Carrigan. [2]
Gospel Harmonettes – "God's Goodness" – 2:44 Blind Boys – "Oh, Lord Fix It" – 2:42 A 2017 Vinyl Lovers reissue includes two bonus tracks: side A ends with Cooke's 1961 performance of " Swing Low, Sweet Chariot " (Willis) and side B ends with Sam Cooke & The Soul Stirrers doing " Farther Along " ( Jesse Randall Baxter, Jr. ) from 1954.
On Steal Away some of the warmth afforded a duo like this naturally was blunted because any sense of real depth was virtually unable to be captured on tape, reducing the sense of intimacy. On Come Sunday, it looms large; the studio room itself becomes an equal participant in these sessions – it reflects back everything, from the sounds of ...
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Whilst performing under the general genre of gospel music, the Southern Gospel Choir integrates songs of many styles into its repertoire. These include traditional spirituals such as Steal Away, as well as many contemporary pieces which take their inspiration from styles such as jazz, funk, pop, rock, and hip hop. This is intended to make the ...
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