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The original C-Stands had welded bases that did not fold up or adjust but the fact that they easily nested together made them invaluable on the stage. [8] Today, the term C-stand is a popular name for the grip stand made by Matthews Studio Equipment, Inc. and has been copied by other manufacturers. [9] [10] [11] C-stands are an important ...
C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
C-Stand - Callier effect - Cameo lighting - Camera boom - Camera crane - Camera dolly - Clap or 'Film Clap' D. Diffuser (lighting) - Digital audio tape recorder ...
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
Techniques that allow a digital image to show a wider contrast range than current image sensors can record in one file. Some cameras have firmware to do the processing. [10] ICM: Intentional camera movement. The camera or the focus or zoom of its lens is adjusted by the photographer during an exposure in order to achieve special or artistic ...
The camera uses a 1/2-inch colour Newvicon tube with a consumer-grade lens barrel giving a 6 times zoom with macro, normal focussing down to 4 feet (1.2 metres), and a minimum illumination of 10 lux. The microphone and folding viewfinder are physically built-in with no external cables, though headphones and an external microphone can used.