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The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman.Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. [3]
The Hawk Flies High is a 1957 album by jazz tenor saxophonist Coleman Hawkins. [6] [7] Apart from Barry Galbraith and Jo Jones on guitar and drums, the line-up of his accompanying sextet had a bebop background, namely J.J. Johnson on trombone, Idrees Sulieman on trumpet, pianist Hank Jones, and Oscar Pettiford on bass.
Included are interviews with and original footage of William S. Burroughs, Buckminster Fuller, Ed Blackwell, Robert Palmer, George Russell, John Rockwell, Don Cherry and Denardo Coleman. [ 1 ] The film intercuts interviews, archive footage and psychedelic sequences around Coleman's performance of Skies of America with the Fort Worth Symphony ...
The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All Stars at Newport is a live album by Coleman Hawkins's All Stars with Roy Eldridge, Pete Brown and Jo Jones recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. [1]
The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. [7] The album features what Coleman called a “double quartet,” i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. [8]
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman.It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo.
Coleman defined harmolodics as "the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group". Applied to the particulars of music, this means that "harmony, melody, speed, rhythm, time and phrases all have equal position in ...