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Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional , which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form , 32-bar form , verse–chorus form , ternary form , strophic form , and the 12-bar blues .
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna ", " The Daring Young Man on the Flying Trapeze ", and many others. [ 1 ] [ 2 ] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.
A cumulative song is a song with a simple verse structure modified by progressive addition so that each verse is longer than the verse before. Cumulative songs are popular for group singing, in part because they require relatively little memorization of lyrics , and because remembering the previous verse to concatenate it to form the current ...
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Das Wandern", the opening song in Franz Schubert's song cycle Die schöne Müllerin, an example of a strophic song. Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms ...
The scherzo and trio, which is identical in structure to other trio forms, developed in the late Classical and early Romantic periods. Examples include the scherzo and trio (second movement) from Beethoven's Symphony No. 9 and the scherzo and trio in Schubert's String Quintet. [6] Another name for the latter is "composite ternary form".
Examples include "Trigger Happy" by "Weird Al" Yankovic (the verse has this sixteen bar structure, with additional ornamentation and "turnaround" applied to tonic chord in bars 13–16). Instead of extending the first or third section, one might repeat the second section.