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Vince Clarke wrote the song. [5] There were two versions of the song available. The 7″ version would later become the "album version", as it would eventually appear on the UK version of Speak & Spell, released in October 1981, and a 12″ "remix", which differs from the album version, in that it has a different intro, intensely percussive and harder, and an added synth part in the "solo ...
The United Methodist Church published it in its 2000 hymnal supplement, The Faith We Sing (hymn no. 2212), giving credit for the lyrics as well as the tune to Robert Lowry. [12] The Faith We Sing version changes some of the lyrics and punctuation from the 1868 version.
New Life: or, Songs and Tunes for Sunday-Schools, Prayer Meetings, and Private Occasions (1879) [422] The New Hymn Book: a Collection of Hymns for Public, Social, and Domestic Worship (1881) [423] Grace and Glory: a choice collection of sacred songs, original and selected, for Sabbath-schools, revivals, etc. (1882) [424]
Sunday evening, 19 May 1867, at Weston-super-Mare. Published in Ministry of Song, 1869, and Life Mosaic, 1879. It is very popular. New mercies, new blessings, new light on thy way. (Occasion or theme: New Life in Christ.) 1874, st Winterdyne. (0. 1874.) Published in Under His Shadow, 1879, Life Chords, 1880. Not your own, but His ye are ...
Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose Aid; Crown Him With Many Crowns; Cry Out With Joy; Come Lord, Maranatha
The Carter hymn is also titled "I Am the Lord of the Dance" [8] and "I Danced in the Morning". [9] In 1996, the Carter hymn was adapted without authorization or acknowledgments of the origins of the tune or Carter's lyrics by Ronan Hardiman for Michael Flatley's dance musical, Lord of the Dance.
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
New Irish Hymns 4: Hymns for the Life of the Church is the fourth and final album in a series of themed albums created and produced by Keith Getty. This album features vocalists Margaret Becker , Joanne Hogg , and Kristyn Getty performing songs by Keith Getty and others (as indicated below).