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Briseis taken away from Achilles, Fourth Style of Pompeian wall painting, from the atrium of the House of the Tragic Poet Detail. Achilles and Briseis is an ancient Roman painting from the 1st-century AD, depicting the scene from the Iliad where the captured Trojan princess and priestess Briseis is taken away from Achilles by the order of Agamemnon.
Briseis receives the same minimal physical description as most other minor characters in the Iliad. She is described with the standard metrical epithets that the poet uses to describe a great beauty, though her appearance is left entirely up to the audience's imagination.
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Panel of Achilles surrendering Briseis to Agamemnon. This dramatic scene depicts Achilles releasing Briseis to the Greek king Agamemnon. On the right side of the panel, Patroclus leads Briseis by the wrist. Achilles, seated, angrily directs them towards Agamemnon's messenger. [1]
Briseis, a woman captured in the sack of Lyrnessus, a small town in the territory of Troy, and awarded to Achilles as a prize. Agamemnon takes her from Achilles in Book 1 and Achilles withdraws from battle as a result. Chryseis, Chryses’ daughter, taken as a war prize by Agamemnon. Clymene, servant of Helen along with her mother Aethra.
The plot begins when Greeks led by Achilles sack Lyrnessus, describing the looting and burning of the city, the massacre of its men and the abduction of its women including Briseis, the childless wife of king Mynes. When the women are handed out to the leaders of the Greek raiders, Briseis, as beautiful and of royal blood, is given to Achilles.
Achilles (opera) Achilles and Briseis; Achilles and the Tortoise; Achilles: Legends Untold; Age of Empires (video game) Age of Mythology; Age of Mythology: Retold; The Ambassadors of Agamemnon in the tent of Achilles; The Anger of Achilles
It depicts Briseis and Achilles. The sole column crater attributed to this painter is in the collection of the Museo Camillo Leone in Vercelli, Italy. It shows the pursuit of Troilus by Achilles and is dated to 420–410 BC. [2] A pelike in the National Gallery of Victoria showing an Amazonomachy scene.