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Thanjavur Quartet were four brothers, Chinnayya, Ponnayya (1804-1864) [1], Sivanandam and Vadivelu, who lived during the early 19th century and contributed to the development of Bharatanatyam and Carnatic music. Lineage of Thanjavur Quartet. They excelled in the art of Bharatanatyam.
Shahuji I (b.1672) also called Shahji of the Bhonsle dynasty was the second Maratha ruler of Thanjavur. He was the eldest son of Ekoji I , who was a half brother of Shivaji , the first Maratha ruler of Thanjavur .
In addition to the above composers, various Bhakti saints of medieval India also composed devotional hymns, verses and songs. First six composer used ancient Tamil music [pannicai] which later evolved to the Carnatic musical tradition over the centuries. [citation needed] Karaikkal Ammeiyar (7th century) Thirunavukkarasar (7th century)
Pann, which is the classical music form of Southern India, has a long history in Tamil Nadu. Later the name was mistakenly changed as Carnatic music. Even today Pannisai is sung in temple festivals. Tamil Nadu has produced a number of famous performers, as well as a closely related classical dance form Bharatha Natyam.
Arunachala Kavi (Tamil: அருணாசல கவி) (1711–1779) was a Tamil poet and a composer of Carnatic music. He was born in Tillaiyadi in Thanjavur District in Tamil Nadu and . The three Tamil composers Arunachala Kavi, Muthu Thandavar and Marimutthu Pillai are considered the Tamil Trinity, [1] who contributed to the evolution of ...
The Thanjavur Maratha kingdom ruled by the Bhonsle dynasty was a principality of Tamil Nadu between the 17th and 19th centuries. Their native language was Thanjavur Marathi . Vyankoji Bhosale was the founder of the dynasty.
Born in Soolamangalam, a village with musical heritage in Thanjavur district of Tamil Nadu, of Karnam Ramaswami Ayyar and Janaki Ammal, the sisters had their training in music from K. G. Murthi of Soolamangalam, Pathamadai S. Krishnan, and Mayavaram Venugopalayyar.
Sindhu Bhairavi is a raga in Hindustani and Carnatic classical music, belonging to the Asavari thaat. In Carnatic music it is a Janya raga of the 8th melakartha raga Hanumatodi. [citation needed] The raga brings Viraham (separation), Shokam (sorrow), Karunam (compassion) and Bhakthi (devotion) rasas.