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According to Devon Wells, "Blackberry Blossom", as a banjo tune, was brought to the public's attention as one of the earliest arrangements of Bill Keith. [12] Wells, a bluegrass teacher, asserts that the tune is a standard in the bluegrass banjo repertoire. [13] Tony Rice recorded an influential version of the tune on the album, “Manzanita.”
Henry Ossawa Tanner, The Banjo Lesson, 1893, Hampton University Museum. Gift to museum by Robert C. Ogden. [1] The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the ...
The earlier "Blackberry Blossom", as played by Sanford Kelly from Morgan County, [1] is now represented by the tune "Yew Piney Mountain". [ 2 ] [ 3 ] Differing from Jabbour, however, another influential secondary source, Andrew Kuntz's Fiddler's Companion , asserts that the tunes are related. [ 4 ]
James V. "Jimmy" Henley (September 2, 1963 – March 22, 2020) was an American banjo player who played bluegrass music.He won several banjo contests as a young boy. As a young boy he met country music star Roy Clark at the New Mexico State Fair and Clark invited him to perform on National television.
William Bradford "Bill" Keith (December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument.
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Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.