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Billy used a special tuning when performing on live broadcasts and theatres. He tuned the third string an octave higher to make the ukulele stand out over the orchestra. He used a violin E string for this purpose. His instruments of choice was an Abbbott Monarch ukulele when performing on stage.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
This is a list of ukulele players. These musicians and bands are well known for playing the ukulele as their primary instrument and have an associated linked Wikipedia article. It is not intended for everyone that can play the instrument.
Nowhere to Go, a 2004 album by Takayoshi Ohmura "Nowhere to Go" (Hayden James song), a 2019 single by Hayden James "Nowhere to Go", a song by Agnostic Front from their 1999 album Riot, Riot, Upstart
"Nowhere to Go" is a song by Australian singer Hayden James featuring Nations. It was released on 3 May 2019 [ 1 ] as the fourth single from James' debut studio album Between Us (2019). In a press release, James said "I met Nicky and Nat ( Naations ) last year in Los Angeles [and] I played them a bunch of demos I'd been working on and one just ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
[4] For example, if an excerpt from a piece of music implies or uses a C-major chord, then the notes C, E and G are members of that chord, while any other note played at that time (e.g., notes such as F ♯) is a nonchord tone. Such tones are most obvious in homophonic music but occur at least as frequently in contrapuntal music.