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"Here as in Heaven" is a song performed by American contemporary worship band Elevation Worship. The song was released as the opening track of the fifth live album of the same name on February 5, 2016. [1] The song was written by Chris Brown, Mack Brock, Matthews Ntlele, Steven Furtick, and Wade Joye. [2]
The Council of Gods, Giovanni Lanfranco (1582–1647), Galleria Borghese Loggia di Psiche, ceiling fresco by Raffael and his school (The Council of The Gods), Villa Farnesina, Rome, Italy, by Alexander Z., 2006-01-02. In the Hebrew Bible, there are multiple descriptions of Yahweh presiding over a great assembly of Heavenly Hosts. Some interpret ...
Here as in Heaven is the fifth live album from Elevation Worship. It was recorded live at Time Warner Cable Arena in Charlotte, North Carolina , United States with more than 16,000 in attendance. Essential Worship released the album on February 5, 2016.
"In Heaven (Lady in the Radiator Song)" (often referred to as simply "In Heaven") is a song performed by Peter Ivers, composed by Peter Ivers, with lyrics by David Lynch. The song is featured in Lynch's 1977 film Eraserhead , and was subsequently released on its 1982 soundtrack album .
"People of Heaven" is a song by Phil Wickham and Brandon Lake. It was released as a standalone single on July 28, 2023. [1] Lake and Wickham co-wrote the song with Brandon Breitenbach. [2] Aaron Robertson handled the production of the single. The song peaked at number 40 on the US Hot Christian Songs chart published by Billboard. [3]
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"Heaven" is a mournful, understated slow-tempo ballad with gospel and pop overtones. [10] [11] [12] It is instrumentally complete with a hymn-like simple piano.[13] [14] According to the sheet music published on the website Musicnotes.com, it is composed using time signature of common time in the key of A Major with a slow tempo of 52 beats per minute.
"Heaven" is a song co-written [2] and performed by American contemporary R&B band Solo, issued as the first single from their eponymous debut studio album. The song was the band's highest chart appearance on the Billboard Hot 100 , peaking at No. 42 in 1995.