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1985 – The large-format ink jet Iris printer became commercially available and began to be used to create fine art prints. [117] [118] 1987 – The International Fine Art Print Dealers Association (IFPDA) was established as an organization for fine print artists. The annual IFPDA Print Fair in New York City presents curated collections of ...
California became the first state to regulate the sale of artist's multiples and limited edition art prints with the "California Print Law" of 1971. [5] [6] The state of Illinois later expanded on the California statute. [7]
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
Through the 1990s, Freeman's was driven by high volume. The house would sell 50,000 lots a year, at an average of $110 per lot, and make $5.5 million. This changed when the house held a single fine art sale, with only 160 lots, yet earned the same amount of money. From that point on the house shifted to the high-end art market.
In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears.
In the early 1960s, Bob Chase began developing a plan for a fine art gallery. [5] He had recently graduated from the University of Wisconsin–Madison [6] [5] and convinced his father, Merrill Chase, who owned a portrait photography business, [1] to join him in opening a fine art gallery that would focus on emerging artists, mid-career artists, and works of art on paper by masters.