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The Faded Doublecut has its origin in the Les Paul Special Doublecut, which is an all-mahogany flat-top guitar with P-90 pickups first produced from 1958–1960. The "Faded" model is called such because the nitrocellulose finish is not thick and glossy like the original vintage examples or Custom Shop double cut Les Pauls.
This guitar also sports an alder body with nitrocellulose lacquer finish, lead/rhythm circuit, "F" tuners, Jaguar tremolo system with adjustable string mute and comes with an engraved neck plate with a 60th anniversary logo. Available in Mystic Dakota Red and Mystic Lake Placid Blue.
Relic'ing is performed with the goal of creating a worn, aged appearance and feel in newer guitars. Over time, guitars change due to various factors, such as exposure to the elements, temperature changes, and sweat, resulting in paint colors fading, cellulose finishes taking on a patina, and hardware becoming tarnished. [4]
The model is available in worn brown and worn cherry finishes, featuring a "satin" nitrocellulose finish. In 2009, the Vintage Mahogany was renamed the Les Paul Studio Faded. These models (adding worn blue and worn ebony as color choices, as well as "satin" fireburst and yellow) featured the carved maple top of other Les Paul models.
In 2014, the Melody Maker name was reused for a new Les Paul variant. This single-cut variant uses the thinner body of the Les Paul Custom Lite, with a carved maple top, and a satin nitrocellulose finish. It also incorporates a maple neck with a 50's rounded profile, a full-size Les Paul headstock with a "Melody Maker" truss rod cover, and two ...
Its innovations include special pickups developed by Grissom, Dunlop 6100-like fretwire, a nitrocellulose finish, coil taps for both pickups, and two volume knobs to allow the blending of both humbucking pickups. Grissom has noted that this feature was inspired by the sounds Jimmy Page created on the early Led Zeppelin albums. [3]